Flamenco Guitar Lesson

 

 

 

 Our Flamenco Lessons:


All Compas Rhythm Tracks

Bulerias Rhythm Compas Full track. 2 speed & tempo tracks

Soleá por bulerias Rhythm Compas Full track. 4 different speed tracks

All flamenco compasses include palmas and jaleos. Very realistic sound! Play your guitar as a pro!

 

Flamenco Guitar exercises

Guitar lessons:

New! #1. PIM Classical Flamenco Picado Exercise TAB

#2. PIMA Flamenco Fandango [Coming soon]

 

Bulerías

Guitar lessons:

NEW: #1. Super Fast Buleria Guitar Falseta
New July 25th #1. Bulería Diego del Morao in B with [PANSEQUITO]

#2. Bulería in A.

#3. Bulería E flat

#4. Buleria Falseta E flat (2)

#5. SUPER BEGINERS: Buleria Rythm patern

Flamenco Guitars
The flamenco guitar is a guitar quite similar to a classical acoustic guitar. It could have thinner tops and less internal bracing. It is commonly used in toque, the guitar-playing part of the art of flamenco.

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The first flamenco guitars
Antonio de Torres, "Torres", one of the most renowned luthiers, did not differentiate between flamenco and classical guitars.
History
Flamenco luthiers have been making guitars for years, centuries. They use decoration depending on the popularity of the instrument model. The cheapest guitars were often simple, basic instruments made from the less expensive woods such as cypress. Nowadays, cypress is a luxury wood, lol.
Flamenco guitars secret
Flamenco guitars are built lighter with thinner tops than classical guitars. Depending on the flamenco luthier, the guiar could produce a “brighter” and more percussive sound quality. Builders could also use less internal bracing to keep the top more percussively, loud and resonant sound.
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2 Thoughts to “Flamenco Guitar Lesson”

  1. Thanks for sharing this. I’m currently working on the f# minor nocturne! they’re beautiful pieces. Afte completion of this, I would go for guitar lessons.
    Don’t get me wrong, you have to be strong and confident to be successful in just about anything you do – but with music, there’s a deeper emotional component to your failures and successes. If you fail a chemistry test, it’s because you either didn’t study enough, or just aren’t that good at chemistry (the latter of which is totally understandable). But if you fail at music, it can say something about your character. It could be because you didn’t practice enough – but, more terrifyingly, it could be because you aren’t resilient enough. Mastering chemistry requires diligence and smarts, but mastering a piano piece requires diligence and smarts, plus creativity, plus the immense capacity to both overcome emotional hurdles, and, simultaneously, to use that emotional component to bring the music alive.
    Before I started taking piano, I had always imagined the Conservatory students to have it so good – I mean, for their homework, they get to play guitar, or jam on their saxophone, or sing songs! What fun! Compared to sitting in lab for four hours studying the optical properties of minerals, or discussing Lucretian theories of democracy and politics, I would play piano any day.

    But after almost three years of piano at Orpheus Academy, I understand just how naïve this is. Playing music for credit is not “easy” or “fun” or “magical” or “lucky.” Mostly, it’s really freakin’ hard. It requires you to pick apart your piece, play every little segment over and over, dissect it, tinker with it, cry over it, feel completely lame about it, then get over yourself and start practicing again. You have to be precise and diligent, creative and robotic. And then – after all of this – you have to re-discover the emotional beauty in the piece, and use it in your performance.

    1. Santiago

      Thanks Biplab for such amazing comment and learning. I hope to read more from you soon!!

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